{"id":445,"date":"2019-04-18T08:21:17","date_gmt":"2019-04-18T08:21:17","guid":{"rendered":"https:\/\/www.arts.chula.ac.th\/~english\/maprogram\/?page_id=445"},"modified":"2020-07-10T04:25:00","modified_gmt":"2020-07-10T04:25:00","slug":"areas-of-research-interest","status":"publish","type":"page","link":"https:\/\/www.arts.chula.ac.th\/english\/maprogram\/faculty\/areas-of-research-interest\/","title":{"rendered":"Faculty’s Research Interests"},"content":{"rendered":"\t\t
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\u0e0a\u0e37\u0e48\u0e2d-\u0e2a\u0e01\u0e38\u0e25<\/span><\/p><\/td>

Area(s) of Research Interest<\/span><\/p><\/td><\/tr>

1.\u00a0\u0e1c\u0e39\u0e49\u0e0a\u0e48\u0e27\u0e22\u0e28\u0e32\u0e2a\u0e15\u0e23\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c\u0e01\u0e24\u0e28 \u0e40\u0e2d\u0e35\u0e48\u0e22\u0e21\u0e2b\u0e24\u0e17<\/span><\/span><\/p><\/td>

Children\u2019s Literature,<\/span><\/p>

Greco-Roman Mythology,<\/span><\/p>

British-American Romanticism<\/span><\/p><\/td><\/tr>

\u00a0<\/span><\/p><\/td><\/tr>

\u00a0<\/span><\/p><\/td><\/tr>

2.\u00a0\u0e1c\u0e39\u0e49\u0e0a\u0e48\u0e27\u0e22\u0e28\u0e32\u0e2a\u0e15\u0e23\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c \u0e14\u0e23<\/span>.\u0e04\u0e32\u0e23\u0e34\u0e19\u0e32 \u0e42\u0e0a\u0e15\u0e34\u0e23\u0e27\u0e35<\/span><\/span><\/p><\/td>

Twentieth-Century British Fiction<\/span><\/p><\/td><\/tr>

3.\u00a0\u0e2d\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c \u0e14\u0e23<\/span>.\u0e08\u0e34\u0e15\u0e15\u0e34\u0e21\u0e32 \u0e1e\u0e24\u0e12\u0e34\u0e1e\u0e24\u0e01\u0e29\u0e4c<\/span><\/span><\/p><\/td>

Nineteenth-Century American Literature<\/span><\/p><\/td><\/tr>

4.\u00a0\u0e1c\u0e39\u0e49\u0e0a\u0e48\u0e27\u0e22\u0e28\u0e32\u0e2a\u0e15\u0e23\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c \u0e14\u0e23<\/span>.\u0e08\u0e34\u0e23\u0e31\u0e19\u0e18\u0e23\u0e32 \u0e28\u0e23\u0e35\u0e2d\u0e38\u0e17\u0e31\u0e22<\/span><\/span><\/p><\/td>

Semantics and Pragmatics, Translation, Language and Conceptualization<\/span><\/p><\/td><\/tr>

\u00a0<\/span><\/p><\/td><\/tr>

5.\u00a0\u0e2d\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c \u0e14\u0e23<\/span>.\u0e10\u0e32\u0e1b\u0e19\u0e31\u0e08\u0e09\u0e23\u0e4c \u0e02\u0e38\u0e19\u0e20\u0e31\u0e01\u0e14\u0e35<\/span><\/span><\/p><\/td>

New Woman Writing,<\/span><\/p>

Late-Victorian Woman Writing<\/span><\/p><\/td><\/tr>

\u00a0<\/span><\/p><\/td><\/tr>

6.\u00a0\u0e23\u0e2d\u0e07\u0e28\u0e32\u0e2a\u0e15\u0e23\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c \u0e14\u0e23<\/span>.\u0e13\u0e31\u0e10\u0e21\u0e32 \u0e1e\u0e07\u0e28\u0e4c\u0e44\u0e1e\u0e42\u0e23\u0e08\u0e19\u0e4c<\/span><\/span><\/p><\/td>

Second Language Acquisition,<\/span><\/p>

Second Language Processing,<\/span><\/p>

Interlanguage<\/span><\/p><\/td><\/tr>

\u00a0<\/span><\/p><\/td><\/tr>

\u00a0<\/span><\/p><\/td><\/tr>

7.\u00a0\u0e1c\u0e39\u0e49\u0e0a\u0e48\u0e27\u0e22\u0e28\u0e32\u0e2a\u0e15\u0e23\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c \u0e14\u0e23<\/span>.\u0e13\u0e34\u0e14\u0e32 \u0e15\u0e34\u0e23\u0e13\u0e2a\u0e27\u0e31\u0e2a\u0e14\u0e34\u0e4c<\/span><\/span><\/p><\/td>

Gothic Literature,<\/span><\/p>

Late Eighteenth-and Nineteenth-Century British Fiction<\/span><\/p><\/td><\/tr>

\u00a0<\/span><\/p><\/td><\/tr>

\u00a0<\/span><\/p><\/td><\/tr>

8.\u00a0\u0e1c\u0e39\u0e49\u0e0a\u0e48\u0e27\u0e22\u0e28\u0e32\u0e2a\u0e15\u0e23\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c \u0e14\u0e23<\/span>.\u0e14\u0e32\u0e23\u0e34\u0e19\u0e17\u0e23\u0e4c \u0e1b\u0e23\u0e30\u0e14\u0e34\u0e29\u0e10\u0e17\u0e31\u0e28\u0e19\u0e35\u0e22\u0e4c<\/span><\/span><\/p><\/td>

Ecocriticism, Literature and Religion\/Spirituality<\/span><\/p>

Nineteenth-Century American Literature<\/span><\/p><\/td><\/tr>

\u00a0<\/span><\/p><\/td><\/tr>

\u00a0<\/span><\/p><\/td><\/tr>

9.\u00a0\u0e1c\u0e39\u0e49\u0e0a\u0e48\u0e27\u0e22\u0e28\u0e32\u0e2a\u0e15\u0e23\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c \u0e14\u0e23<\/span>.\u0e19\u0e34\u0e23\u0e14\u0e32 \u0e08\u0e34\u0e15\u0e23\u0e01\u0e23<\/span><\/span><\/p><\/td>

Generative Syntax, Argument Structure, Language Variation<\/span><\/p><\/td><\/tr>

\u00a0<\/span><\/p><\/td><\/tr>

10.\u00a0\u0e1c\u0e39\u0e49\u0e0a\u0e48\u0e27\u0e22\u0e28\u0e32\u0e2a\u0e15\u0e23\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c \u0e1b\u0e17\u0e21\u0e32 \u0e2d\u0e31\u0e15\u0e19\u0e42\u0e16<\/span><\/span><\/p><\/td>

Translation<\/span><\/p><\/td><\/tr>

11.\u00a0\u0e2d\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c \u0e14\u0e23<\/span>.\u0e1b\u0e23\u0e35\u0e13\u0e32 \u0e41\u0e02\u0e48\u0e07\u0e02\u0e31\u0e19<\/span><\/span><\/p><\/td>

Sociolinguistic, Language Attitudes, Language and Identity<\/span><\/p><\/td><\/tr>

\u00a0<\/span><\/p><\/td><\/tr>

12.\u00a0\u0e23\u0e2d\u0e07\u0e28\u0e32\u0e2a\u0e15\u0e23\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c\u0e1b\u0e23\u0e35\u0e21\u0e32 \u0e21\u0e31\u0e25\u0e25\u0e34\u0e01\u0e30\u0e21\u0e32\u0e2a<\/span><\/span><\/p><\/td>

English Language Teaching, Corpus Linguistic<\/span><\/p><\/td><\/tr>

13.\u00a0\u0e2d\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c\u0e20\u0e31\u0e04\u0e1e\u0e23\u0e23\u0e13 \u0e17\u0e34\u0e1e\u0e22\u0e21\u0e19\u0e15\u0e23\u0e35<\/span><\/span><\/p><\/td>

\u00a0<\/span><\/p><\/td><\/tr>

14.\u00a0\u0e1c\u0e39\u0e49\u0e0a\u0e48\u0e27\u0e22\u0e28\u0e32\u0e2a\u0e15\u0e23\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c \u0e14\u0e23<\/span>.\u0e27\u0e23\u0e34\u0e15\u0e15\u0e32 \u0e28\u0e23\u0e35\u0e23\u0e31\u0e15\u0e19\u0e32<\/span><\/span><\/p><\/td>

Transnational Modernisms, Gender, Colonial\/Postcolonial Literature<\/span><\/p><\/td><\/tr>

\u00a0<\/span><\/p><\/td><\/tr>

15.\u00a0\u0e2d\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c\u0e2a\u0e38\u0e40\u0e1a\u0e0d\u0e08\u0e32 \u0e40\u0e1c\u0e48\u0e32\u0e40\u0e2b\u0e25\u0e37\u0e2d\u0e07\u0e17\u0e2d\u0e07<\/span><\/span><\/p><\/td>

Twentieth-Century American Fiction<\/span><\/p><\/td><\/tr>

16.\u00a0\u0e2d\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c \u0e14\u0e23<\/span>.\u0e28\u0e19\u0e34 \u0e0a\u0e32\u0e15\u0e34\u0e2d\u0e38\u0e14\u0e21\u0e40\u0e14\u0e0a<\/span><\/span><\/p><\/td>

Anti-heroism, War and Terror, Nineteenth-and Twentieth-Century British and American Literature, Gender, Masculinity Studies, Women Writers<\/span><\/p><\/td><\/tr>

\u00a0<\/span><\/p><\/td><\/tr>

\u00a0<\/span><\/p><\/td><\/tr>

\u00a0<\/span><\/p><\/td><\/tr>

17.\u00a0\u0e23\u0e2d\u0e07\u0e28\u0e32\u0e2a\u0e15\u0e23\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c \u0e14\u0e23<\/span>.\u0e23\u0e31\u0e01\u0e2a\u0e07\u0e1a \u0e27\u0e34\u0e08\u0e34\u0e15\u0e23\u0e42\u0e2a\u0e20\u0e13<\/span><\/span><\/p><\/td>

Corpus Linguistics, Stylistics, Discourse Analysis<\/span><\/p><\/td><\/tr>

\u00a0<\/span><\/p><\/td><\/tr>

18. (Ajarn) Asst. Prof. Simon Wright<\/span><\/p><\/td>

Shakespeare, Poetry, Modern Novel, Drama<\/span><\/p><\/td><\/tr>

19. Asst. Prof. Dr. Ingo Peters<\/span><\/p><\/td>

Academic Writing, Contemporary American Literature, Modernism, Transculturality<\/span><\/p><\/td><\/tr>

\u00a0<\/span><\/p><\/td><\/tr>

20. Ajarn Tony O\u2019Neill<\/span><\/p><\/td>

Postcolonial, Literature, World Literature<\/span><\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Area(s) of Research Interests Name Area(s) of Research Interest 1. Assistant Professor Kris Iamharit Children\u2019s Literature, Greco-Roman Mythology, British-American Romanticism 2. Ajarn Jittima Pruttipurk, Ph.D. Nineteenth-Century American Literature 3. Assistant Professor Jiranthara Srioutai, Ph.D. Semantics and Pragmatics, Translation, Language and Conceptualization 4. Ajarn Tapanat Khunpakdee, Ph.D. New Woman Writing, Late-Victorian Woman Writing 5. Associate Professor…
Read more<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":62,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page-with-right-sidebar.php","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PaUiOS-7b","_links":{"self":[{"href":"https:\/\/www.arts.chula.ac.th\/english\/maprogram\/wp-json\/wp\/v2\/pages\/445"}],"collection":[{"href":"https:\/\/www.arts.chula.ac.th\/english\/maprogram\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arts.chula.ac.th\/english\/maprogram\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arts.chula.ac.th\/english\/maprogram\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arts.chula.ac.th\/english\/maprogram\/wp-json\/wp\/v2\/comments?post=445"}],"version-history":[{"count":13,"href":"https:\/\/www.arts.chula.ac.th\/english\/maprogram\/wp-json\/wp\/v2\/pages\/445\/revisions"}],"predecessor-version":[{"id":958,"href":"https:\/\/www.arts.chula.ac.th\/english\/maprogram\/wp-json\/wp\/v2\/pages\/445\/revisions\/958"}],"up":[{"embeddable":true,"href":"https:\/\/www.arts.chula.ac.th\/english\/maprogram\/wp-json\/wp\/v2\/pages\/62"}],"wp:attachment":[{"href":"https:\/\/www.arts.chula.ac.th\/english\/maprogram\/wp-json\/wp\/v2\/media?parent=445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}