{"id":8335,"date":"2024-03-15T11:55:35","date_gmt":"2024-03-15T04:55:35","guid":{"rendered":"https:\/\/www.arts.chula.ac.th\/research\/home\/?page_id=8335"},"modified":"2025-10-22T13:57:25","modified_gmt":"2025-10-22T06:57:25","slug":"scopus-2018","status":"publish","type":"page","link":"https:\/\/www.arts.chula.ac.th\/research\/home\/index.php\/scopus-2018\/","title":{"rendered":"\u0e1c\u0e25\u0e07\u0e32\u0e19\u0e15\u0e35\u0e1e\u0e34\u0e21\u0e1e\u0e4c\u0e23\u0e30\u0e14\u0e31\u0e1a\u0e19\u0e32\u0e19\u0e32\u0e0a\u0e32\u0e15\u0e34 2018"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t<\/colgroup>

Numbers<\/strong><\/span><\/p><\/td>

Title<\/strong><\/span><\/p><\/td>

Authors<\/strong><\/span><\/p><\/td>

Publication date<\/strong><\/span><\/p><\/td>

Scopus Source title<\/strong><\/span><\/p><\/td>

Quartile<\/strong><\/span><\/p><\/td>

Tier<\/strong><\/span><\/p><\/td>

Publication type<\/strong><\/span><\/p><\/td><\/tr>

Book<\/strong><\/span><\/p><\/td><\/tr>

1<\/p><\/td>

Fall detection using accelerometer, gyroscope & impact force calculation on android smartphones<\/a><\/p><\/td>

Thippaya Chintakovid<\/p><\/td>

23 \u0e21\u0e35\u0e19\u0e32\u0e04\u0e21 2018<\/p><\/td>

ACM International Conference Proceeding Series<\/p><\/td>

Q3<\/p><\/td>

\u00a0<\/td>

Conference Paper<\/p><\/td><\/tr>

2<\/p><\/td>

GiobalTimit: Acoustic-phonetic datasets for the world’s languages<\/a><\/p><\/td>

Nattanun Chanchaochai<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Proceedings of the Annual Conference of the International Speech Communication Association, INTERSPEECH<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Conference Paper<\/p><\/td><\/tr>

3<\/p><\/td>

Can the first letter advantage be shaped by script-specific characteristics?<\/a><\/p><\/td>

Theeraporn Ratitamkul<\/p><\/td>

1 \u0e21\u0e35\u0e19\u0e32\u0e04\u0e21 2018<\/p><\/td>

Journal of Experimental Psychology: Learning Memory and Cognition<\/p><\/td>

Q1<\/p><\/td>

Tier 1<\/p><\/td>

Article<\/p><\/td><\/tr>

4<\/p><\/td>

Language, reality, emptiness, laughs<\/a><\/p><\/td>

Soraj Hongladarom<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Journal of Buddhist Ethics<\/p><\/td>

Q2<\/p><\/td>

\u00a0<\/td>

Review<\/p><\/td><\/tr>

5<\/p><\/td>

Tai languages<\/a><\/p><\/td>

Pittayawat Pittayaporn<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

The World’s Major Languages: Third Edition<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

6<\/p><\/td>

HONG KONG GOTHIC: CATEGORY III FILMS AS GOTHIC CINEMA<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

B-Movie Gothic: International Perspectives<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

7<\/p><\/td>

Introduction<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

8<\/p><\/td>

Banjong Pisanthanakun<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

9<\/p><\/td>

Nang Phi\/Nang Sayong Khwan\/Horror<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

10<\/p><\/td>

Scared\/Rap Nong Sayong Khwan (2005)<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

11<\/p><\/td>

Otsuichi\u2019s Goth (2002)<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

26 \u0e40\u0e21\u0e29\u0e32\u0e22\u0e19 2018<\/p><\/td>

The Gothic: A Reader<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

12<\/p><\/td>

An Overview of Coal Energy Sources and Supply in Thailand<\/a><\/p><\/td>

Thitirat Panbamrungkij<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Petroleum and Coal<\/p><\/td>

Q4<\/p><\/td>

\u00a0<\/td>

Article<\/p><\/td><\/tr>

13<\/p><\/td>

Muay Thai Chaiya\/Chaiya (2007)<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

14<\/p><\/td>

Concrete Clouds\/Phawang Rak (2013)<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

15<\/p><\/td>

Ladda Land (2011)<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

16<\/p><\/td>

The Last Executioner\/Phetchakhat (2014)<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

17<\/p><\/td>

Development of content-based metadata scheme of classical poetry in thai national historical corpus<\/a><\/p><\/td>

Songphan Choemprayong; Pittayawat Pittayaporn; Vipas Pothipath; Thaneerat Jatuthasri; Jinawat Kaenmuang<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics)<\/p><\/td>

Q3<\/p><\/td>

\u00a0<\/td>

Conference Paper<\/p><\/td><\/tr>

18<\/p><\/td>

A long journey from Chinese-language newspaperman to Chinese specialist: The oral history from two senior Chinese intellectuals in Thailand<\/a><\/p><\/td>

Apiradee Charoensenee<\/p><\/td>

10 \u0e2a\u0e34\u0e07\u0e2b\u0e32\u0e04\u0e21 2018<\/p><\/td>

China Studies In South And Southeast Asia: Between Pro-china And Objectivism<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

19<\/p><\/td>

The Gangster\/Anthaphan (2012)<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

20<\/p><\/td>

Muay Thai\/Action<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

21<\/p><\/td>

Paradoxocracy\/Pracha Thip\u2019Thai (2013)<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

22<\/p><\/td>

Meat Grinder\/Chueat Kon Chim (2009)<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

23<\/p><\/td>

Body #19\/Body Sop 19 (2007)<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

24<\/p><\/td>

Raging Phoenix\/Jeeja Due Suai Du (2009)<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

25<\/p><\/td>

Slice\/Chuean (2009)<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

26<\/p><\/td>

Food, Technology, and Identity<\/a><\/p><\/td>

Soraj Hongladarom<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

International Library of Environmental, Agricultural and Food Ethics<\/p><\/td>

Q2<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

27<\/p><\/td>

Pen-Ek Ratanaruang<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

28<\/p><\/td>

The Victim\/Phi Khon Pen (2006)<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

Book Series<\/strong><\/span><\/p><\/td><\/tr>

29<\/p><\/td>

A visual content analysis of Thai government\u2019s census infographics<\/a><\/p><\/td>

Somsak Sriborisutsakul; Sorakom Dissamana; Saowapha Limwichitr<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics)<\/p><\/td>

Q3<\/p><\/td>

\u00a0<\/td>

Conference Paper<\/p><\/td><\/tr>

30<\/p><\/td>

Yuthlert Sippapak<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

31<\/p><\/td>

Otsuichi’s Goth (2002)<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

26 \u0e40\u0e21\u0e29\u0e32\u0e22\u0e19 2018<\/p><\/td>

The Gothic<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

32<\/p><\/td>

The House\/Ban Phi Sing (2007)<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

Conference Proceeding<\/span><\/strong><\/p><\/td><\/tr>

33<\/p><\/td>

Macro Discourse Markers in TED Talks: How Ideas are Signaled to Listeners<\/a><\/p><\/td>

Kanokrat Uicheng; Michael Crabtree<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

PASAA<\/p><\/td>

Q2<\/p><\/td>

\u00a0<\/td>

Article<\/p><\/td><\/tr>

34<\/p><\/td>

The phenomenology of supernatural belief: The ravenous spirit (phii pob) belief tradition in contemporary northeast thailand<\/a><\/p><\/td>

Kanya Wattanagun<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Asian Ethnology<\/p><\/td>

Q1<\/p><\/td>

Tier 1<\/p><\/td>

Article<\/p><\/td><\/tr>

Journal<\/strong><\/span><\/p><\/td><\/tr>

35<\/p><\/td>

PCR-GLOBWB 2: A 5 arcmin global hydrological and water resources model<\/a><\/p><\/td>

Ekkamol Vannametee<\/p><\/td>

20 \u0e21\u0e34\u0e16\u0e38\u0e19\u0e32\u0e22\u0e19 2018<\/p><\/td>

Geoscientific Model Development<\/p><\/td>

Q1<\/p><\/td>

Tier 1<\/p><\/td>

Article<\/p><\/td><\/tr>

36<\/p><\/td>

New insights from Thailand into the maternal genetic history of Mainland Southeast Asia<\/a><\/p><\/td>

Pittayawat Pittayaporn<\/p><\/td>

1 \u0e21\u0e34\u0e16\u0e38\u0e19\u0e32\u0e22\u0e19 2018<\/p><\/td>

European Journal of Human Genetics<\/p><\/td>

Q1<\/p><\/td>

\u00a0<\/td>

Article<\/p><\/td><\/tr>

37<\/p><\/td>

Phonetic and systemic biases in tonal contour changes in Bangkok Thai<\/a><\/p><\/td>

Pittayawat Pittayaporn<\/p><\/td>

5 \u0e21\u0e35\u0e19\u0e32\u0e04\u0e21 2018<\/p><\/td>

Tonal Change and Neutralization<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

38<\/p><\/td>

Thai Cinema: The Complete Guide<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Book<\/p><\/td><\/tr>

39<\/p><\/td>

The social capital of being Chinese in Thai politics<\/a><\/p><\/td>

Wasana Wongsurawat<\/p><\/td>

10 \u0e01\u0e23\u0e01\u0e0e\u0e32\u0e04\u0e21 2018<\/p><\/td>

The Sociology of Chinese Capitalism in Southeast Asia: Challenges and Prospects<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

40<\/p><\/td>

A corpus stylistic study of singular and plural keywords in Jane Austen\u2019s persuasion<\/a><\/p><\/td>

Raksangob Wijitsopon<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Kemanusiaan<\/p><\/td>

Q1<\/p><\/td>

\u00a0<\/td>

Article<\/p><\/td><\/tr>

41<\/p><\/td>

It Gets Better\/Mai Dai Kho Hai Ma Rak (2012)<\/a><\/p><\/td>

Katarzyna Ancuta<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Thai Cinema: The Complete Guide<\/p><\/td>

–<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr>

42<\/p><\/td>

Rights Can Coexist with Buddhism: A Buddhist Response to Ellen Zhang<\/a><\/p><\/td>

Soraj Hongladarom<\/p><\/td>

1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018<\/p><\/td>

Advancing Global Bioethics<\/p><\/td>

Q4<\/p><\/td>

\u00a0<\/td>

Chapter<\/p><\/td><\/tr><\/tbody><\/table>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Numbers Title Authors Publication date Scopus Source title Quartile Tier Publication type Book 1 Fall detection using accelerometer, gyroscope & impact force calculation on android smartphones Thippaya Chintakovid 23 \u0e21\u0e35\u0e19\u0e32\u0e04\u0e21 2018 ACM International Conference Proceeding Series Q3 \u00a0 Conference Paper 2 GiobalTimit: Acoustic-phonetic datasets for the world’s languages Nattanun Chanchaochai 1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2018 Proceedings of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-8335","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.arts.chula.ac.th\/research\/home\/index.php\/wp-json\/wp\/v2\/pages\/8335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arts.chula.ac.th\/research\/home\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arts.chula.ac.th\/research\/home\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arts.chula.ac.th\/research\/home\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arts.chula.ac.th\/research\/home\/index.php\/wp-json\/wp\/v2\/comments?post=8335"}],"version-history":[{"count":32,"href":"https:\/\/www.arts.chula.ac.th\/research\/home\/index.php\/wp-json\/wp\/v2\/pages\/8335\/revisions"}],"predecessor-version":[{"id":9965,"href":"https:\/\/www.arts.chula.ac.th\/research\/home\/index.php\/wp-json\/wp\/v2\/pages\/8335\/revisions\/9965"}],"wp:attachment":[{"href":"https:\/\/www.arts.chula.ac.th\/research\/home\/index.php\/wp-json\/wp\/v2\/media?parent=8335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}