{"id":8342,"date":"2024-03-15T11:56:19","date_gmt":"2024-03-15T04:56:19","guid":{"rendered":"https:\/\/www.arts.chula.ac.th\/research\/home\/?page_id=8342"},"modified":"2025-10-22T13:55:22","modified_gmt":"2025-10-22T06:55:22","slug":"scopus-2019","status":"publish","type":"page","link":"https:\/\/www.arts.chula.ac.th\/research\/home\/index.php\/scopus-2019\/","title":{"rendered":"\u0e1c\u0e25\u0e07\u0e32\u0e19\u0e15\u0e35\u0e1e\u0e34\u0e21\u0e1e\u0e4c\u0e23\u0e30\u0e14\u0e31\u0e1a\u0e19\u0e32\u0e19\u0e32\u0e0a\u0e32\u0e15\u0e34 2019"},"content":{"rendered":"\t\t
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Numbers<\/strong><\/span><\/td>Title<\/strong><\/span><\/td>Authors<\/strong><\/span><\/td>Publication date<\/strong><\/span><\/td>Scopus Source title<\/strong><\/span><\/td>Quartile<\/strong><\/span><\/td>Tier<\/strong><\/span><\/td>Publication type<\/strong><\/span><\/td><\/tr>
Book<\/strong><\/span><\/td><\/tr>
1<\/td>Asian Gothic<\/a><\/td>Katarzyna Ancuta<\/td>1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2019<\/td>Twenty-First-Century Gothic: An Edinburgh Companion<\/td>–<\/td>–<\/td>Chapter<\/td><\/tr>
2<\/td>Gothic and installation art: Spectral materialities, monstrous ephemera<\/a><\/td>Katarzyna Ancuta<\/td>5 \u0e2a\u0e34\u0e07\u0e2b\u0e32\u0e04\u0e21 2019<\/td>The Edinburgh Companion to Gothic and the Arts<\/td>–<\/td>–<\/td>Chapter<\/td><\/tr>
3<\/td>Sadako Yamamura and the Ring cycle (1991-present)<\/a><\/td>Katarzyna Ancuta<\/td>21 \u0e01\u0e23\u0e01\u0e0e\u0e32\u0e04\u0e21 2019<\/td>Horror: A Companion<\/td>–<\/td>–<\/td>Chapter<\/td><\/tr>
4<\/td>From plagiarism to incense sticks: The making of self and the other in Thai translation history<\/a><\/td>Phrae Chittiphalangsri<\/td>1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2019<\/td>Benjamins Translation Library<\/td>Q1<\/td>Tier 1<\/td>Chapter<\/td><\/tr>
Conference Proceeding<\/span><\/strong><\/td><\/tr>
5<\/td>Using a Virtual Reality System to Improve Quality of Life of the Elderly People with Depression<\/a><\/td>Thippaya Chintakovid<\/td>1 \u0e21\u0e34\u0e16\u0e38\u0e19\u0e32\u0e22\u0e19 2019<\/td>2019 IEEE International Conference on Consumer Electronics – Asia, ICCE-Asia 2019<\/td>–<\/td>–<\/td>

Conference Paper<\/p><\/td><\/tr>

6<\/td>From knowledge to innovation: Transformation of Thai academic libraries in times of digital disruption<\/a><\/td>Saowapha Limwichitr<\/td>15 \u0e21\u0e34\u0e16\u0e38\u0e19\u0e32\u0e22\u0e19 2019<\/td>ACM International Conference Proceeding Series<\/td>Q3<\/td>–<\/td>Conference Paper<\/td><\/tr>
7<\/td>Asian Chi Symposium: Emerging HCI research collection<\/a><\/td>Thippaya Chintakovid<\/td>2 \u0e21\u0e34\u0e16\u0e38\u0e19\u0e32\u0e22\u0e19 2019<\/td>Conference on Human Factors in Computing Systems – Proceedings<\/td>Q1<\/td>Tier 1<\/td>Conference Paper<\/td><\/tr>
8<\/td>Capturing research output in the field of anthropology: Metadata design and lessons learned<\/a><\/td>Wachiraporn Klungthanaboon<\/td>1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2019<\/td>Proceedings of the International Conference on Dublin Core and Metadata Applications<\/td>Q4<\/td>–<\/td>Conference Paper<\/td><\/tr>
9<\/td>Probabilistic measures for diffusion of linguistic innovation: As seen in the usage of verbal “nok” in Thai twitter<\/a><\/td>Nozomi Yamada; Pittayawat Pittayaporn<\/td>1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2019<\/td>Proceedings of the 33rd Pacific Asia Conference on Language, Information and Computation, PACLIC 2019<\/td>–<\/td>–<\/td>Conference Paper<\/td><\/tr>
Journal<\/strong><\/span><\/td><\/tr>
10<\/td>Cross-linguistic evidence for cognitive universals in the noun phrase<\/a><\/td>Theeraporn Ratitamkul;<\/td>1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2019<\/td>Linguistics Vanguard<\/td>Q1<\/td>–<\/td>Article<\/td><\/tr>
11<\/td>Explicit teaching of hedges: Bringing hedging in academic writing into the thai EFL classroom<\/a><\/td>Worawanna Petchkij<\/td>1 \u0e21\u0e34\u0e16\u0e38\u0e19\u0e32\u0e22\u0e19 2019<\/td>Electronic Journal of Foreign Language Teaching<\/td>Q2<\/td>–<\/td>Article<\/td><\/tr>
12<\/td>Tropical Gothic: Arts, humanities and social sciences<\/a><\/td>Katarzyna Ancuta<\/td>1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2019<\/td>eTropic<\/td>Q1<\/td>Tier 1<\/td>Editorial<\/td><\/tr>
13<\/td>Tropical Gothic: Literary and creative works<\/a><\/td>Katarzyna Ancuta<\/td>1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2019<\/td>eTropic<\/td>Q1<\/td>Tier 1<\/td>Article<\/td><\/tr>
14<\/td>Thai Catalogers\u2019 Use and Perception of Cataloging Standards<\/a><\/td>Songphan Choemprayong<\/td>17 \u0e1e\u0e24\u0e28\u0e08\u0e34\u0e01\u0e32\u0e22\u0e19 2019<\/td>Cataloging and Classification Quarterly<\/td>Q2<\/td>–<\/td>Article<\/td><\/tr>
15<\/td>Objectives & key results for active knowledge sharing in IT consulting enterprises: A feasibility study<\/a><\/td>Natthakan Klanwaree; Songphan Choemprayong<\/td>1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2019<\/td>Proceedings of the Association for Information Science and Technology<\/td>Q3<\/td>–<\/td>Article<\/td><\/tr>
16<\/td>Length contrast of high vowels in the Thai language of the Sukhothai period: What do the inscriptions say?<\/a><\/td>Sireemas Maspong; Pittayawat Pittayaporn<\/td>1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2019<\/td>Cahiers de Linguistique d’Asie Orientale<\/td>Q2<\/td>–<\/td>Article<\/td><\/tr>
17<\/td>Images of Thai women in magazines for older adults<\/a><\/td>Permtip Buaphet<\/td>1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2019<\/td>Manusya<\/td>Q2<\/td>–<\/td>Article<\/td><\/tr>
18<\/td>The encounter between Italy and siam at the dawn of the twentieth century: Italian artists and architects in the modernising kingdom of siam<\/a><\/td>Neungreudee Lohapon<\/td>1 \u0e1e\u0e24\u0e28\u0e08\u0e34\u0e01\u0e32\u0e22\u0e19 2019<\/td>Modern Italy<\/td>Q1<\/td>–<\/td>Article<\/td><\/tr>
19<\/td>Patterns of the ‘Current Relevance’ Meaning of the Present Perfect in Real Use and Textbooks: A Corpus-driven Perspective<\/a><\/td>Chanakarn Chareonkul; Raksangob Wijitsopon<\/td>1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2019<\/td>LEARN Journal: Language Education and Acquisition Research Network<\/td>Q1<\/td>–<\/td>Article<\/td><\/tr>
20<\/td>Anonymity and commitment: how do Kierkegaard and Dreyfus fare in the era of Facebook and \u201cpost-truth\u201d?<\/a><\/td>Soraj Hongladarom<\/td>1 \u0e21\u0e34\u0e16\u0e38\u0e19\u0e32\u0e22\u0e19 2019<\/td>AI and Society<\/td>Q1<\/td>Tier 1<\/td>Article<\/td><\/tr>
21<\/td>The Development of Tea Planting and Tea Culture Tourism in Thai Nguyen, Vietnam<\/a><\/td>Yanling Guo; Montira Rato<\/td>1 \u0e18\u0e31\u0e19\u0e27\u0e32\u0e04\u0e21 2019<\/td>Journal of Mekong Societies<\/td>Q1<\/td>Tier 1<\/td>Article<\/td><\/tr>
22<\/td>Love, death and laughter in the city of different angels: S.P. Somtow’s Bangkok gothic<\/a><\/td>Katarzyna Ancuta<\/td>1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2019<\/td>eTropic<\/td>Q1<\/td>Tier 1<\/td>Article<\/td><\/tr>
23<\/td>Women’s disintegrated participation: Hierarchy and gender relations re-examined in Khru somsri<\/a><\/td>Porranee Singpliam<\/td>1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2019<\/td>Manusya<\/td>Q2<\/td>–<\/td>Article<\/td><\/tr><\/tbody><\/table>

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Numbers Title Authors Publication date Scopus Source title Quartile Tier Publication type Book 1 Asian Gothic Katarzyna Ancuta 1 \u0e21\u0e01\u0e23\u0e32\u0e04\u0e21 2019 Twenty-First-Century Gothic: An Edinburgh Companion – – Chapter 2 Gothic and installation art: Spectral materialities, monstrous ephemera Katarzyna Ancuta 5 \u0e2a\u0e34\u0e07\u0e2b\u0e32\u0e04\u0e21 2019 The Edinburgh Companion to Gothic and the Arts – – Chapter 3 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-8342","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.arts.chula.ac.th\/research\/home\/index.php\/wp-json\/wp\/v2\/pages\/8342","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arts.chula.ac.th\/research\/home\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arts.chula.ac.th\/research\/home\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arts.chula.ac.th\/research\/home\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arts.chula.ac.th\/research\/home\/index.php\/wp-json\/wp\/v2\/comments?post=8342"}],"version-history":[{"count":17,"href":"https:\/\/www.arts.chula.ac.th\/research\/home\/index.php\/wp-json\/wp\/v2\/pages\/8342\/revisions"}],"predecessor-version":[{"id":9962,"href":"https:\/\/www.arts.chula.ac.th\/research\/home\/index.php\/wp-json\/wp\/v2\/pages\/8342\/revisions\/9962"}],"wp:attachment":[{"href":"https:\/\/www.arts.chula.ac.th\/research\/home\/index.php\/wp-json\/wp\/v2\/media?parent=8342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}