{"id":22039,"date":"2025-12-03T11:48:54","date_gmt":"2025-12-03T04:48:54","guid":{"rendered":"https:\/\/www.arts.chula.ac.th\/th\/?p=22039"},"modified":"2025-12-03T11:48:54","modified_gmt":"2025-12-03T04:48:54","slug":"shall-we-dance-tomorrow-and-i-a-spectral-speculative-review","status":"publish","type":"post","link":"https:\/\/www.arts.chula.ac.th\/th\/pr\/2025\/12\/03\/22039\/","title":{"rendered":"\u201cShall We Dance? Tomorrow and I: A Spectral\/Speculative Review\u201d"},"content":{"rendered":"\n<p><br><\/p>\n\n\n\n<p>\u201cShall We Dance? Tomorrow and I: A Spectral\/Speculative Review\u201d, written by Associate Professor Verita Sriratana, PhD, which offers an analysis of the Thai sci-fi anthology series \u201cTomorrow and I\u201d (2024) through the theoretical lenses of gender studies, postcolonial theory, and necropolitics, has been published by the K\u00e4te Hamburger Centre for Apocalyptic and Post-Apocalyptic Studies (CAPAS) at Heidelberg University) in a recent volume of their magazine.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"731\" height=\"1024\" data-id=\"22041\"  src=\"https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/576891634_1222678823003542_7525616160448974605_n-731x1024.jpg\" alt=\"\" class=\"wp-image-22041\" srcset=\"https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/576891634_1222678823003542_7525616160448974605_n-731x1024.jpg 731w, https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/576891634_1222678823003542_7525616160448974605_n-214x300.jpg 214w, https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/576891634_1222678823003542_7525616160448974605_n-768x1075.jpg 768w, https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/576891634_1222678823003542_7525616160448974605_n-1097x1536.jpg 1097w, https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/576891634_1222678823003542_7525616160448974605_n.jpg 1125w\" sizes=\"(max-width: 731px) 100vw, 731px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"727\" height=\"1024\" data-id=\"22044\"  src=\"https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/577003459_1222678763003548_9204029086166231272_n-727x1024.jpg\" alt=\"\" class=\"wp-image-22044\" srcset=\"https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/577003459_1222678763003548_9204029086166231272_n-727x1024.jpg 727w, https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/577003459_1222678763003548_9204029086166231272_n-213x300.jpg 213w, https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/577003459_1222678763003548_9204029086166231272_n-768x1082.jpg 768w, https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/577003459_1222678763003548_9204029086166231272_n-1090x1536.jpg 1090w, https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/577003459_1222678763003548_9204029086166231272_n.jpg 1125w\" sizes=\"(max-width: 727px) 100vw, 727px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"730\" height=\"1024\" data-id=\"22043\"  src=\"https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/577840387_1222678793003545_1202905656855632015_n-730x1024.jpg\" alt=\"\" class=\"wp-image-22043\" srcset=\"https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/577840387_1222678793003545_1202905656855632015_n-730x1024.jpg 730w, https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/577840387_1222678793003545_1202905656855632015_n-214x300.jpg 214w, https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/577840387_1222678793003545_1202905656855632015_n-768x1077.jpg 768w, https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/577840387_1222678793003545_1202905656855632015_n-1095x1536.jpg 1095w, https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/577840387_1222678793003545_1202905656855632015_n.jpg 1125w\" sizes=\"(max-width: 730px) 100vw, 730px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"722\" height=\"1024\" data-id=\"22045\"  src=\"https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/577898450_1222678799670211_15557939026995522_n-722x1024.jpg\" alt=\"\" class=\"wp-image-22045\" srcset=\"https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/577898450_1222678799670211_15557939026995522_n-722x1024.jpg 722w, https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/577898450_1222678799670211_15557939026995522_n-211x300.jpg 211w, https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/577898450_1222678799670211_15557939026995522_n-768x1090.jpg 768w, https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/577898450_1222678799670211_15557939026995522_n-1083x1536.jpg 1083w, https:\/\/www.arts.chula.ac.th\/th\/wp-content\/uploads\/2025\/12\/577898450_1222678799670211_15557939026995522_n.jpg 1125w\" sizes=\"(max-width: 722px) 100vw, 722px\" \/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u201cShall We Dance? Tomorrow and I: A Spectral\/Speculative Review\u201d, written by Associate Professor Verita Sriratana, PhD, which offers an analysis of the Thai sci-fi anthology series \u201cTomorrow and I\u201d (2024) through the theoretical lenses of gender studies, postcolonial theory, and necropolitics, has been published by the K\u00e4te Hamburger Centre for Apocalyptic and Post-Apocalyptic Studies (CAPAS) [&hellip;]<\/p>\n","protected":false},"author":123458,"featured_media":22042,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,13],"tags":[93],"_links":{"self":[{"href":"https:\/\/www.arts.chula.ac.th\/th\/wp-json\/wp\/v2\/posts\/22039"}],"collection":[{"href":"https:\/\/www.arts.chula.ac.th\/th\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arts.chula.ac.th\/th\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arts.chula.ac.th\/th\/wp-json\/wp\/v2\/users\/123458"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arts.chula.ac.th\/th\/wp-json\/wp\/v2\/comments?post=22039"}],"version-history":[{"count":1,"href":"https:\/\/www.arts.chula.ac.th\/th\/wp-json\/wp\/v2\/posts\/22039\/revisions"}],"predecessor-version":[{"id":22046,"href":"https:\/\/www.arts.chula.ac.th\/th\/wp-json\/wp\/v2\/posts\/22039\/revisions\/22046"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.arts.chula.ac.th\/th\/wp-json\/wp\/v2\/media\/22042"}],"wp:attachment":[{"href":"https:\/\/www.arts.chula.ac.th\/th\/wp-json\/wp\/v2\/media?parent=22039"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arts.chula.ac.th\/th\/wp-json\/wp\/v2\/categories?post=22039"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arts.chula.ac.th\/th\/wp-json\/wp\/v2\/tags?post=22039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}